The
Past Walks with Us
By
Michael Penn MA'97
Hope,
in some ways, is the most courageous of emotions.
It takes a resolve of character to say, in the midst
of a world seemingly gone mad, that things will work
out all right in the end. Birmingham was our first
lesson in hope.
I
was thinking about hope while sitting on the steps
of the Sixteenth Street Baptist Church, the site of
a 1963 Ku Klux Klan bombing that killed four young
girls who were inside getting ready for choir practice.
From the steps, I could see across the street into
Kelly Ingram Park, where children were playing in
the fountains, splashing each other with plastic cups
full of water. The park was once at the epicenter
of African-American resistance in Birmingham, the
locus for many protests and marches and heated skirmishes
with police. By the mid-1960s, so many blacks in Birmingham
were already in jail or had lost their jobs for participating
in protests that civil-rights leaders had to recruit
children to fill out their marches. On one occasion,
hundreds of children were attacked by police dogs
and sprayed with fire hoses in the park while they
organized for a protest.
The
park is now ringed by statues designed to make tourists
imagine the terror that those children must have felt.
I walked the circular Freedom Walk, passing within
inches of the jaws of snarling dogs, into the gun
like aim of the nozzles of fire hoses, and behind
the iron bars of a jail cell. On the other side of
the bars were the figures of two children, and inscribed
at their feet were these words: "We ain't afraid
of your jail."
Also
in the park was a stand of four columns, each one
cracked, in memory of the four girls killed in the
Sixteenth Street Baptist Church. Looking back toward
the church, I was struck by how indestructible it
appears. It was a little brick bulldog of a building,
with soaring towers. Nothing, it seemed, could shake
its foundations.
The
bomb that ripped through the basement in 1963 didn't
bring the church down, nor did it deflate the spirit
of the members of the congregation. Even at the girls'
funerals, mourners sang "We Shall Overcome,"
a gesture of hope that so moved Yoseph Teklemariam,
a communication arts major, that he sat down and wrote
a poem of tribute to the girls and the ones they left
behind.
"That
they were singing in the face of everything against
them . . . ," he told me later. "I don't
know how my faith would have held up in those circumstances.
I don't know that I could have continued to believe
if one of those girls were my sister."
Kelly
Ingram Park doesn't only have a past; a few students
also saw a glimpse of its present. "Under one
of the monuments, there was a black man sleeping in
a box," said Patrick Jones. "To me that
speaks to where the movement is currently. Things
have changed, but the struggle is far from over."
That
night, the congregation of the Body of Christ Deliverance
Ministry hosted a special program for the group. Among
the people there to greet us were Autherine Lucy Foster,
who attempted to integrate the University of Alabama
in 1956 but was expelled days later after the university
feared mob retaliation; Myrna Jackson, one of the
children who participated in marches and was arrested,
for the first time, at age eight; and Colonel Stone
Johnson, who did night watches to protect Birmingham's
most vocal civil-rights organizer, the Reverend Fred
Shuttlesworth, and his church from bombings. There
were others present: people who organized, marched,
sang, sat, fought, taught, or lent moral support during
those years. The diversity of their stories vivified
one of the themes of the course: that there was no
monolithic "movement" for civil rights,
but rather a thousand individual stories of perseverance
and resistance.
Johnson's
job in those years was to spend the night on the sidewalks
in front of the church, removing the paint cans full
of gasoline and explosives that from time to time
showed up at the front door. His story differed notably
from those of people like Diane Nash, an organizer
of the original Freedom Rides whom students met in
Chicago, and the Reverend Jimmy Webb, a leader of
the Student Nonviolent Coordinating Committee who
met the group in Selma. While Nash and Webb were planners
and thinkers, Johnson represented the calloused hands
pushing the movement forward. He gave the students
a new lens on the activism of the time. When someone
asked the Colonel what he had with him to guard the
church, he smiled and answered, "a nonviolent
.38 police special."
The
next day, amid the provocative displays of the tiny
National Voting Rights Museum in Selma, one of the
students spotted Johnson in a photograph from a sixties
march. He wasn't identified, but there was no mistaking
his tall, gaunt frame, standing between Martin Luther
King, Jr., and Fred Shuttlesworth. We had our Duck
Hill moment. He was there, as Muddy Waters might say.
We all knew he was there.
Selma
gave me a chance to see a queen-sized hotel bed turned
into a classroom. Over the previous days, I had seen
Tyson, Kantrowitz, and Werner use many unconventional
settings to teach: they lectured from city sidewalks,
from the front of a moving bus, from hotel lobbies,
from crowded lunch tables. A lot of this was planned.
The professors had carved out every possible moment
to present material that would help the students place
what they were seeing in context. But, as Kantrowitz
joked at one point, "the half-life for our lesson
plans is about five minutes." There were too
many spontaneous moments, too many worthy conversations
that were already spreading through the bus. So, mostly,
the professors winged it.
Coming
off the whirlwind tour of Alabama, tensions on the
bus had been rising. It wasn't hard to understand
why. A lot of people get nervous talking about race,
especially among a racially mixed group. These students
had been thrown into the deepest end of that pool,
and they were starting to flail just a little. Some
were reluctant to talk openly about what they were
feeling. Guilt and self-doubt crept in, making a few
in the group defensive and uncomfortable.
The
professors saw a chance to get beyond that discomfort
- to "lean into it," as Tyson said - and
talk meaningfully about race. "Racial discomfort
is one of the most instructive experiences you can
have," he told them.
That
night, Tyson opened his hotel room to students who
wanted to work through their feelings. Although he
had a lecture to prepare, he spent three hours with
students, helping them to break down and analyze their
emotional reactions. A parallel discussion was going
on in Werner's room, and on other nights any of the
three professors was likely to be up until two or
three in the morning, engaging white students and
black students, helping them share their perspectives
with each other.
No
one was getting any sleep, but we were all too wired
for sleep, anyway. We were headed for Mississippi,
and all that its very name evokes. There's no place
quite like Mississippi, a beautiful state of woods
and bayous and bountiful soil, but a state pocked
by desperate poverty, and a history of unparalleled
brutality and racial savagery. Patrick Jones put it
well when he said, "In Alabama, we saw things
that made us cry. Mississippi
just pisses me off."
As
the bus made its way toward Hattiesburg, we discussed
the details of the murder of James Chaney, who along
with two white civil-rights workers was found buried
in an earthen dam near Philadelphia, Mississippi,
in 1964. As we watched footage of Chaney's funeral
in Meridian, we passed directly through that town
- a reminder, again, of McGuire's statement that the
past walks with us. The ghosts of Mississippi were
in our midst.
In
Hattiesburg, the students attended a conference at
the University of Southern Mississippi, where they
heard from, among others, Ellie Dahmer and her son,
Vernon Dahmer, Jr. In the 1960s, the Dahmers were
one of the most prominent black families in Hattiesburg.
Vernon
Dahmer, Sr., owned a grocery store and a four-hundred-acre
farm, and he used his wealth and position to help
African-Americans in need. As president of the local
NAACP, he organized many protests against Mississippi's
long-held practice of disenfranchising black voters,
which didn't make him popular among white supremacists
in the community.
He
received so many death threats that he and his wife
slept in shifts.
The
Dahmers said that once the National Voting Rights
Act was passed in 1965, they believed that the worst
was behind them, and that Vernon would finally realize
his own dream of voting, a right he was denied for
many years after supposedly failing tests administered
by white poll workers. Vernon received his voter registration
card on January 25, 1966 - but it was too late. Two
weeks earlier, during the middle of the night, several
men had fire bombed his house and store. Vernon helped
his family escape the burning house, but ultimately
died from the attack. He was able to fire shots at
the men, puncturing a car tire that helped lead to
their arrest.
Although
some of the men present at the fire bombing were convicted
relatively promptly, it took the Dahmers until 1998
to see Klan leader Sam Bowers held accountable for
organizing the attack, and attempts to convict another
Klansman in the case recently resulted in a mistrial.
This, along with the recent conviction of one of the
men responsible for the Sixteenth Street church bombing,
made our trip into the past strikingly current. These
events weren't so long ago, and, in many cases, we
still haven't learned the whole picture. We still
have a long way to go.
But
set against that despair and discouragement was the
elegant grace and quiet strength of the Dahmers, who
learned to find hope in heartache the hard way. Ellie
Dahmer, now the county election commissioner, talked
enthusiastically with students about the good that
their being there represented. She maintained that,
while her family paid an immeasurable cost, it was
a cost that they were prepared to pay for the sake
of morality and justice.
Back
on the bus, Werner, as he did so often at these moments,
selected a song that he thought appropriate to the
mood. As a tribute to the Dahmers, he chose a song
by soul artists Mel and Tim. It's a familiar tune
that most of us had heard before, but never in the
way we did that day. The chorus goes like this: "Starting
all over again/It's going to be rough/So rough/But
we're going to make it."
I
had always thought of it as a love song. Hearing it
anew on the bus that day, I discovered that it, like
many things that seem simple on the surface, pulls
from a deeper source.
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